November 17, 2024 DOC NYC 2024 Review: A Comedian Can No Longer Mask His Anger in Josh Forbes’ “Gallagher”
November 16, 2024 DOC NYC 2024 Interview: Miriam Guttmann on the Footsteps Towards Finding Peace Amidst an Unending War in Ukraine in “Front Row”
November 14, 2024 Alexis Spraic and Prudence Fenton on Keeping the Creative Juices Flowing in “The World According to Allee Willis”
November 14, 2024 Nabil Ayouch on Putting Passion Into a Song of Resistance in “Everybody Loves Touda”
November 17, 2024 DOC NYC 2024 Review: A Comedian Can No Longer Mask His Anger in Josh Forbes’ “Gallagher”
November 16, 2024 DOC NYC 2024 Interview: Miriam Guttmann on the Footsteps Towards Finding Peace Amidst an Unending War in Ukraine in “Front Row”
November 14, 2024 Alexis Spraic and Prudence Fenton on Keeping the Creative Juices Flowing in “The World According to Allee Willis”
November 14, 2024 Nabil Ayouch on Putting Passion Into a Song of Resistance in “Everybody Loves Touda”
June 11, 2022 Tribeca 2022 Review: “Subject” Offers Some Hard Objective Truths About Participating in Docs
June 11, 2022 Tribeca 2022 Review: An Aspiring Filmmaker Awaits What a New Year Will Bring in “January”
June 11, 2022 Tribeca 2022 Review: A Safe Haven Can’t Escape the Issues of Society at Large in “Naked Gardens”
June 11, 2022 Tribeca 2022 Interview: Elena Francesca Engel on Setting the Stage for Talking About Prison Reform in “John Leguizamo Live at Rikers”
June 10, 2022 Tribeca 2022 Review: “Liquor Store Dreams” Exquisitely Brings the Long View of Immigrants Into Focus
June 10, 2022 Tribeca 2022 Review: Jon Kasbe and Crystal Moselle’s “Sophia” Charts a Feat of Human Engineering, For Better or Worse
June 10, 2022 Tribeca 2022 Interview: Patrick Bresnan and Ivete Lucas on Getting Under the Skin with “Naked Gardens”
June 10, 2022 Tribeca 2022 Review: It Only Feels Like the End of the World in the Sly and Smart “Integrity of Joseph Chambers”
June 10, 2022 Tribeca 2022 Review: A Pregnancy Gives Birth to Ideas of an Unexamined Life in Michelle Garza Cervera’s “Huesera”
June 9, 2022 Tribeca 2022 Review: A Budding Doctor Lives in Terror of His Error in Alex Thompson’s “Rounding”
June 9, 2022 Tribeca 2022 Interview: Ethan Silverman on Getting It On in “Angelheaded Hipster: The Songs of Marc Bolan and T. Rex”
June 8, 2022 Tribeca 2022 Interview: Nausheen Dadabhoy on Reclaiming the Narrative of the Muslim Experience in America with “An Act of Worship”
