May 17, 2025 Cannes 2025 Review: Soul Searching Takes Fascinating Form in Ratchapoom Boonbunchachoke’s Spirited Dark Comedy “A Useful Ghost”
May 16, 2025 Cannes 2025 Review: Ugo Bienvenu’s Crafty Chronological Caper “Arco” Makes for a Great Time
May 17, 2025 Cannes 2025 Review: Soul Searching Takes Fascinating Form in Ratchapoom Boonbunchachoke’s Spirited Dark Comedy “A Useful Ghost”
May 16, 2025 Cannes 2025 Review: Ugo Bienvenu’s Crafty Chronological Caper “Arco” Makes for a Great Time
July 14, 2023 Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
December 14, 2022 How Alice Rohrwacher Fashioned a Christmas Tale That Takes the Cake in “Le Pupille”
December 13, 2022 A Cut Above: How Mark Pellington Went a Little Further to Finally Be Satisfied with “Going All the Way”
May 31, 2022 “All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen
April 11, 2022 Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”
February 21, 2022 Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson
