December 18, 2024 Review: Punks Find a Sick Solution to a Life of Pain in Tyler Nilson and Michael Schwartz’s Rocking “Los Frikis”
December 12, 2024 Peter Browngardt on a New Employment for Daffy Duck and Porky Pig in “The Day the Earth Blew Up”
December 18, 2024 Review: Punks Find a Sick Solution to a Life of Pain in Tyler Nilson and Michael Schwartz’s Rocking “Los Frikis”
December 12, 2024 Peter Browngardt on a New Employment for Daffy Duck and Porky Pig in “The Day the Earth Blew Up”
October 7, 2024 Mill Valley Film Fest 2024 Review: A Romance Leads a Couple to Grow Up Fast in Zoe Eisenberg’s “Chaperone”
October 7, 2024 Beyond Fest 2024 Review: A Career Fantasist Appears to Be a Fanatic in Otso Tiainen’s Fascinating “Shadowland”
October 6, 2024 Mill Valley Film Fest 2024 Review: Amy Forsyth Makes a Meal of Elizabeth Cairns’ Gripping Cult Drama “Inedia”
October 3, 2024 TIFF 2024 Review: Sophie Deraspe’s “Shepherds” Finds Beauty in Breaking Away From the Flock
September 26, 2024 TIFF 2024 Review: An Author’s Voice Carries in Madeleine Hunt-Ehrlich’s Reverberant “The Ballad of Suzanne Césaire”
September 23, 2024 TIFF 2024 Review: William Bridges’ Sci-Fi Romance “All of You” Works Its Way Into Your Heart
September 22, 2024 TIFF 2024 Review: A Passing Moment Leaves a Deep Impression in Durga Bose-Chew’s Beguiling “Bonjour Tristesse”
September 18, 2024 TIFF 2024 Review: History’s Embrace May Be a Little Too Tight for Comfort in Sofia Bohdanowicz’s Exquisite “Measures for a Funeral”
September 16, 2024 TIFF 2024 Review: Dea Kulumbegashvili Finds a Strong Way In to an Outside Operator in the Devastating “April”
