October 24, 2024 Matt Tyrnauer on Going for the Unexpected Run in “Carville: Winning is Everything, Stupid”
October 24, 2024 Matt Tyrnauer on Going for the Unexpected Run in “Carville: Winning is Everything, Stupid”
September 18, 2024 TIFF 2024 Review: History’s Embrace May Be a Little Too Tight for Comfort in Sofia Bohdanowicz’s Exquisite “Measures for a Funeral”
September 16, 2024 TIFF 2024 Review: Dea Kulumbegashvili Finds a Strong Way In to an Outside Operator in the Devastating “April”
September 16, 2024 TIFF 2024 Review: Personal Growth Takes Wild Directions in Giovanni Tortorici’s Deviously Charming “Diciannove”
September 16, 2024 TIFF 2024 Review: An Author Rewrites Her Destiny in Sinéad O’Shea’s Electric “Blue Road: The Edna O’Brien Story”
September 8, 2024 TIFF 2024 Review: An Astronaut Looks to Find Inner Peace in Pavlo Ostrikov’s Charming “U Are the Universe”
September 8, 2024 TIFF 2024 Review: A Heart Condition Leads to Intense Palpitations in Maksud Hossain’s “Saba”
September 6, 2024 TIFF 2024 Review: Frederik Louis Hviid’s Heist Thriller “The Quiet Ones” is Poised to Make Some Noise
September 6, 2024 Venice Film Fest 2024 Review: Brothers Bound to Duty Can’t Abide One Another in Türker Süer’s Tense “Edge of Night”
September 4, 2024 Venice Film Fest 2024 Review: Divisions in a Marriage Reflect Generational and Cultural Divides in Elizabeth Lo’s Transfixing “Mistress Dispeller”
September 3, 2024 Venice Film Fest 2024 Review: A Young Woman Contends With Unexpected Daddy Issues in Vojtĕch Strakatý’s “After Party”