Joanna Arnow, Scott Cohen and Babak Tafti on Capturing the Ephemeral in “The Feeling That The Time to Do Something Has Passed”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSundance·3 min readSundance 2020 Review: A Playwright Rewrites Her Future in Radha Blank’s Resplendent “The 40-Year-Old Version”
ReviewsSundance·2 min readSundance 2020 Review: A Retiree Finds an Unexpected New Calling in “The Mole Agent”
ReviewsSundance·2 min readSundance 2020 Review: Bill and Turner Ross Deliver a Stirring Cocktail with “Bloody Nose, Empty Pockets”
ReviewsSundance·2 min readSundance 2020 Review: They Grow Up Fast…Too Fast in Maïmouna Doucouré’s “Cuties”
AFI FestReviews·3 min readAFI Fest ’19 Review: A Homecoming for “Ivana the Terrible” Leads to a Wonderful Comedy
AFI FestReviews·3 min readAFI Fest ‘19 Review: Words Have Power In Sofia Bohdanowicz and Deragh Campbell’s “MS Slavic 7”
DOC NYCReviews·2 min readDOC NYC ’19 Review: A Funny Thing Happened on the Way to Apprehending a Cold-Blooded Killer in “After the Murder of Albert Lima”
DOC NYCReviews·3 min readDOC NYC ’19 Review: The Realities of an Uncompromising Vision Comes to the Fore in “He Dreams of Giants”
DOC NYCReviews·2 min readDOC NYC ’19 Review: An Experiment in Terroir Unfolds in Laura Naylor’s “Vas-y-Coupe!”
DOC NYCReviews·2 min readDOC NYC ’19 Review: A Community is Brought Together by a Con in Martha Shane’s “Narrowsburg”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”