Joanna Arnow, Scott Cohen and Babak Tafti on Capturing the Ephemeral in “The Feeling That The Time to Do Something Has Passed”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSundance·2 min readSundance 2020 Review: There’s Flashes of Brilliance in Heidi Ewing’s Exquisite “I Carry You With Me”
ReviewsSundance·2 min readSundance 2020 Review: The Past Reveals the Present in the Beguiling “Luxor”
ReviewsSundance·2 min readSundance 2020 Review: A Nation’s Anxiety is Revealed in Arthur Jones’ Diverting “Feels Good Man”
ReviewsSundance·3 min readSundance 2020 Review: An Animator Who Didn’t Play By the Rules Gets His Due, For Better and Worse, in “Happy Happy Joy Joy: The Ren & Stimpy Story”
ReviewsSundance·3 min readSundance 2020 Review: The Students of Parkland Give Their Country a Higher Education on Gun Violence in “Us Kids”
ReviewsSundance·3 min readSundance 2020 Review: David France Puts an Unforgettable Face on Anti-Gay Purges in “Welcome to Chechnya”
ReviewsSundance·2 min readSundance 2020 Review: The Sky’s the Limit in Matt Yoka’s Profound “Whirlybird”
ReviewsSundance·2 min readSundance 2020 Review: Channing Godfrey Peoples’ “Miss Juneteenth” is a Major Winner
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”