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Karan Kandhari on a Time to Shine in “Sister Midnight”

Cannes 2025 Review: Ugo Bienvenu’s Crafty Chronological Caper “Arco” Makes for a Great Time

Roberto Minervini on Capturing the Haunting Quality of War in “The Damned”

Cannes 2025 Review: Hafsia Herzi’s “The Little Sister” Compassionately Chronicles an Age of Contradictions

Cannes 2025 Review: A Teacher is in for an Education in Louise Hémon’s Mordant “The Girl in the Snow”

Constance Tsang and Ke-Xi Wu on Imagining What’s Beyond the Horizon in “Blue Sun Palace”