November 7, 2024 American French Film Fest 2024 Review: The Promised Land Isn’t All That It’s Expected to Be Mareike Engelhardt’s Bold “Rabia”
November 7, 2024 American French Film Fest 2024 Review: The Promised Land Isn’t All That It’s Expected to Be Mareike Engelhardt’s Bold “Rabia”
May 2, 2023 Hot Docs 2023 Review: “Razing Liberty Square” Builds a Strong Case for How Communities Are Destroyed
May 1, 2023 Hot Docs 2023 Review: “Who’s Afraid of Nathan Law?” Captures the Evolution of a Political Revolution
April 29, 2023 Hot Docs 2023 Interview: Lukasz Konopa and Emil Langballe on Reenvisioning What is Justice in “Theatre of Violence”
April 26, 2023 Hot Docs 2023 Interview: Christian Einshøj on Getting to a Place with His Family He Couldn’t Reach on His Own in “The Mountains”
May 3, 2022 Hot Docs 2022 Review: The Power of a Family Secret Shifts from the Keepers to Those Willing to Expose It in Jasmin Mara López’s “Silent Beauty”
May 1, 2022 Hot Docs 2022 Review: A Murder Exposes a Web of Corruption in “The Killing of a Journalist”
April 30, 2022 Hot Docs 2022 Review: A Strand of DNA Unravels Into a Fascinating Yarn in “Make People Better”
April 29, 2022 Hot Docs 2022 Interview: Nils Gaup on Painting a Different Picture of His Native Norway in “Images of a Nordic Drama”
May 1, 2021 May Bjerre Eiby and Louise Detlefsen on a Different Way to Look at Treating Dementia in “It Is Not Over Yet”
