January 4, 2025 Rashid Mashawari on Another Perspective on Palestine in the Anthology “From Ground Zero”
January 3, 2025 Darius Clark Monroe on Taking a Panoramic View of How a Society Functions in “Dallas, 2019”
January 4, 2025 Rashid Mashawari on Another Perspective on Palestine in the Anthology “From Ground Zero”
January 3, 2025 Darius Clark Monroe on Taking a Panoramic View of How a Society Functions in “Dallas, 2019”
November 16, 2020 DOC NYC 2020 Review: “Youth Vs Gov” Makes the Case for Taking Responsibility for Climate Change Outside Court
November 14, 2020 DOC NYC 2020 Interview: Maia Lekow and Christopher King on Delivering a Portrait of Strength in “The Letter”
November 13, 2020 DOC NYC 2020 Review: Baseball Becomes a Mind Game in Sami Khan and Michael Gassert’s “The Last Out”
November 13, 2020 DOC NYC 2020 Review: A Valuable Perspective on the Border Crisis is Found in “Missing in Brooks County”
November 12, 2020 DOC NYC 2020 Review: An Artist Who Avoided the Spotlight Lingers in the Shadows in “In My Own Time: A Portrait of Karen Dalton”
November 11, 2020 DOC NYC 2020 Review: “Television Event” Captures the Weight of When the World Was Watching
November 11, 2020 DOC NYC 2020 Review: A Born Leader Comes to the Fore in Raquel Cepeda’s “La Madrina: The [Savage] Life of Lorine Padilla”
November 11, 2020 DOC NYC 2020 Review: A Son Goes to Great Ends to Keep His Mother Occupied in “Duty Free”
November 11, 2020 DOC NYC 2020 Review: “Calendar Girl” Finds Time to Celebrate an Unsung Figure in the Fashion Industry
November 11, 2020 DOC NYC 2020 Review: An Unholy Alliance Emerges in Maya Zinshtein’s “Til Kingdom Come”
November 14, 2019 DOC NYC ’19 Review: A Funny Thing Happened on the Way to Apprehending a Cold-Blooded Killer in “After the Murder of Albert Lima”
