November 21, 2024 Crystal Moselle, Derrick B. Harden, and Izabella Tzenkova on Riding the Waves in “The Black Sea”
November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
November 21, 2024 Crystal Moselle, Derrick B. Harden, and Izabella Tzenkova on Riding the Waves in “The Black Sea”
November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
November 16, 2020 DOC NYC 2020 Review: “Youth Vs Gov” Makes the Case for Taking Responsibility for Climate Change Outside Court
November 14, 2020 DOC NYC 2020 Interview: Maia Lekow and Christopher King on Delivering a Portrait of Strength in “The Letter”
November 13, 2020 DOC NYC 2020 Review: Baseball Becomes a Mind Game in Sami Khan and Michael Gassert’s “The Last Out”
November 13, 2020 DOC NYC 2020 Review: A Valuable Perspective on the Border Crisis is Found in “Missing in Brooks County”
November 12, 2020 DOC NYC 2020 Review: An Artist Who Avoided the Spotlight Lingers in the Shadows in “In My Own Time: A Portrait of Karen Dalton”
November 11, 2020 DOC NYC 2020 Review: “Television Event” Captures the Weight of When the World Was Watching
November 11, 2020 DOC NYC 2020 Review: A Born Leader Comes to the Fore in Raquel Cepeda’s “La Madrina: The [Savage] Life of Lorine Padilla”
November 11, 2020 DOC NYC 2020 Review: A Son Goes to Great Ends to Keep His Mother Occupied in “Duty Free”
November 11, 2020 DOC NYC 2020 Review: “Calendar Girl” Finds Time to Celebrate an Unsung Figure in the Fashion Industry
November 11, 2020 DOC NYC 2020 Review: An Unholy Alliance Emerges in Maya Zinshtein’s “Til Kingdom Come”
November 14, 2019 DOC NYC ’19 Review: A Funny Thing Happened on the Way to Apprehending a Cold-Blooded Killer in “After the Murder of Albert Lima”
