November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
November 18, 2024 DOC NYC 2024 Review: Ondi Timoner’s “All God’s Children” Identifies a Shared Belief in a Higher Calling
November 17, 2024 DOC NYC 2024 Review: A Comedian Can No Longer Mask His Anger in Josh Forbes’ “Gallagher”
November 16, 2024 DOC NYC 2024 Interview: Miriam Guttmann on the Footsteps Towards Finding Peace Amidst an Unending War in Ukraine in “Front Row”
November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
November 18, 2024 DOC NYC 2024 Review: Ondi Timoner’s “All God’s Children” Identifies a Shared Belief in a Higher Calling
November 17, 2024 DOC NYC 2024 Review: A Comedian Can No Longer Mask His Anger in Josh Forbes’ “Gallagher”
November 16, 2024 DOC NYC 2024 Interview: Miriam Guttmann on the Footsteps Towards Finding Peace Amidst an Unending War in Ukraine in “Front Row”
April 6, 2022 A Face in the Crowd: An Escape Comes From Within in Carlen May-Mann’s “Romance Package for Two”
September 4, 2019 A Face in the Crowd: Beck Kitsis Makes a Hell of an Introduction with “The Three Men You Meet at Night”
July 31, 2018 A Face in the Crowd: Carlen May-Mann Slyly Finds a New Way Into the Horror Genre with “The Rat”
July 16, 2018 A Face in the Crowd: Jim Cummings is Bringing Down the Gates for Filmmakers By Opening the Doors to a Short to Feature Lab
July 9, 2018 A Face in the Crowd: Britni West Seeks a Place of Her Own in “By Now I’ve Lived a Thousand Lives and None of Them Are Mine”
April 10, 2018 A Face in the Crowd: Shahrzad Davani on Breaking Down Borders with the Gut-Busting Comedy “F1”
August 9, 2016 A Face in the Crowd: Colin Healey Aims to Conjure Something Special With “For Entertainment Purposes Only”
August 4, 2015 A Face in the Crowd: Diversity is the Spice of Life in Kyle Henry’s “The Year That Changed Us”
