Michael Tyburski on the Rules of Engagement in “Turn Me On”
The "Sound of Silence" director discusses building a world that the disaffected want to be a part of in this Bel Powley/Nick Robinson drama.
Tracie Laymon on Making a Connection with “Bob Trevino Likes It”
On forging bonds on set and off for this delightful dramedy about two strangers (John Leguizamo and Barbie Ferreira) who connect.
Nick Hamm on Hitting a Bullseye for Modern Times with “William Tell”
The director talks about looking to a legend of Swiss history to find something to say about the contemporary world in this rousing epic.
Cleveland Film Fest 2025 Interview: Emily Sheskin on Putting It All Together in “Livestreams with GrandmaPuzzles”
The director of “JessZilla” talks about seizing a chance to tell the story of a grandma who knows her way around a jigsaw.
Ryan J. Sloan and Ariella Mastroianni on Looking Towards Greater Horizons with “Gazer”
The filmmakers behind this bewitching thriller discuss illusions of all kinds, including a dream of mounting a feature that became a reality.
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Trương Minh Quý on Digging Into the Dualities of “Viet and Nam”
The director talks about creating a space cinematically that can hold conflicting truths in this transfixing romantic drama haunted by war.
Peter Cattaneo on Walking a Fine Line with the Charming “Penguin Lessons”
"The Full Monty" director talks about achieving the right balance of sweetness and seriousness in this Steve Coogan comedy set in '70s Argentina.
Manthia Diawara on Capturing a Technology’s Blind Spots with “AI: African Intelligence”
The filmmaker discusses observing the Lebu in Senegal, whose spiritual practice is unlikely to be understood fully in an AI-dominated world.