Lauren Cioffi on the Unexpected Lift Off of “Sally”
The prolific nonfiction producer discusses this vibrant portrait of the first woman in space and boosting directors to realize their vision.
Tribeca 2025 Review: A Music Therapist Strikes Just the Right Chord in Libby Ewing’s Absorbing “Charliebird”
Samantha Smart delivers a strong performance from her own script as a medical professional whose connection with a new patient depends on her opening up.
Tribeca 2025 Interview: Fredgy Noël on A Different Kind of Spy Movie in “New York Day Woman”
The director discusses this inspired comedy about a woman who sees her mother from Flatbush in a different light on the Upper West Side.
Tribeca 2025 Interview: Michael J. Weithorn on Putting His All Into “The Best You Can”
The director discusses reuniting Kevin Bacon and Kyra Sedgwick on screen for this compassionate comedy about unexpected connections.
Michelle Walshe and Lindsay Utz on the Heart of a Leader in “Prime Minister”
The co-directors of this thrilling profile of Dame Jacinda Ardern talk about their unprecedented access to intimately witness history.
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Tribeca 2025 Review: Clay Tweel’s “Andy Kaufman is Me” Honors a Comedian Who Always Took a Different Angle
As the subject of multiple biographies already, a new look at the comic genius has the benefit of different perspectives, including his own.
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A Brazilian community caught in crosswinds is able to plant stakes down, at least in the firmament of the mind with this inspired drama.
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A famed SoHo French bistro is seen as a fascinating reflection of the neighborhood around it and its proprietors by happenstance.
