Alison O’Daniel, Maya E. Rudolph and Su Kim on Changing Up a Dialogue with “The Tuba Thieves”
The filmmakers discuss how the story of a string of robberies added up to an innovative cinematic experience that allows access for all.
Tribeca 2025 Review: Angela Lynn Tucker’s Fierce Barbara Jordan Bio “The Inquisitor” Speaks to the Moment
A powerful portrait of Barbara Jordan, the groundbreaking representative from Texas, reminds of what real leadership looks like.
Tribeca 2025 Review: Robert Petit’s “Underland” Finds History is Made Beneath the Surface
A look at subterranean explorations uncovers scientific and historical mysteries that could provide answers about our collective future.
Sarah Friedland on Doing Something Different in “Familiar Touch”
The director discusses this unusually compassionate character study of a woman adjusting to a new life as she contends with early dementia.
David Secter on a Fire Revived with “Winter Kept Us Warm”
The director discusses the restoration of his 1966 breakthrough, a portrait of longing that became Canada's first English film at Cannes.
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Tribeca 2025 Review: Paul Andrew Williams’ “Dragonfly” Vividly Imagines Being Put in the Hands of a Reckless Caretaker
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DC/DOX 2025 Interview: Jon Shenk on Following Navy SEALS on a Most Unique Mission to Save Lives in “In Waves and War”
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