Marlo McKenzie and Jonathan Parker on an Unlikely Feminist Icon Shaking Things Up in “Carol Doda Topless at the Condor”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSundance·2 min readSundance 2020 Review: The Sky’s the Limit in Matt Yoka’s Profound “Whirlybird”
ReviewsSundance·3 min readSundance 2020 Review: A Playwright Rewrites Her Future in Radha Blank’s Resplendent “The 40-Year-Old Version”
ReviewsSundance·2 min readSundance 2020 Review: A Retiree Finds an Unexpected New Calling in “The Mole Agent”
InterviewsSundance·14 min readSundance 2020 Interview: Elegance Bratton and Jovan James on a Long Night’s Journey to Day in “Buck”
InterviewsSundance·7 min readSundance 2020 Interview: Janet Goldwater and Mike Attie on Answering the Call in “Abortion Helpline, This is Lisa”
ReviewsSundance·2 min readSundance 2020 Review: Channing Godfrey Peoples’ “Miss Juneteenth” is a Major Winner
InterviewsSundance·8 min readSundance 2020 Interview: Emily Wilson on Thinking Outside of the Box in “Danny’s Girl”
ReviewsSundance·2 min readSundance 2020 Review: Bill and Turner Ross Deliver a Stirring Cocktail with “Bloody Nose, Empty Pockets”
ReviewsSundance·2 min readSundance 2020 Review: They Grow Up Fast…Too Fast in Maïmouna Doucouré’s “Cuties”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”