InterviewsInterview: Cinematographer Sam Levy on Lighting the Way for “Lady Bird”The cinematographer talks about Xeroxing references for the film inadvertently informed the evocative look of Greta Gerwig's brilliant direc...byStephen SaitoNov 3, 2017
ReviewsTIFF ’17 Review: A Steady Hand Guides a Relationship on the Rocks in “On Chesil Beach”Out-of-sync newlyweds Saoirse Ronan and Billy Howle play it smooth in this adaptation of the Ian McEwan novel.byStephen SaitoSep 8, 2017
InterviewsInterview: Editor Jake Roberts on Finding Nuance in “Brooklyn”The frequent collaborator of David MacKenzie on the challenge of slowing down to tell an immigrant's story and bringing out the best in a be...byStephen SaitoJan 3, 2016
InterviewsInterview: Cinematographer Yves Bélanger on His Trip to “Brooklyn”The cinematographer spares a few minutes to discuss the influence of Gordon Willis and the lenses that gave this immigration tale a fresh pe...byStephen SaitoJan 3, 2016
InterviewsInterview: John Crowley on Finding the Face of “Brooklyn”The director talks about his adaptation of Colm Toibin's cherished novel about a young Irish woman migrating to America during the 1950s and...byStephen SaitoNov 8, 2015
InterviewsInterview: Geoffrey Fletcher on Doing Something Different, Really Different With “Violet & Daisy”The Oscar-winning screenwriter behind "Precious" talks about his darkly funny and strangely transporting directorial debut about a pair of c...byStephen SaitoJun 13, 2013
FestivalsTIFF ’11 Review: When Girls Just Want to Have Fun…With Guns in Geoffrey Fletcher’s Audacious “Violet & Daisy”A odd beast of a film that actually delivers, the "Precious" screenwriter's directorial debut is a surprising amount of fun for a somber, su...byStephen SaitoSep 17, 2011