Cinematographer Mia Cioffi Henry on a Most Powerful Framework for “Sorry, Baby”
The cinematographer shares the process that allowed its director and star to handle both jobs on one of the great debuts in recent memory.
Alison O’Daniel, Maya E. Rudolph and Su Kim on Changing Up a Dialogue with “The Tuba Thieves”
The filmmakers discuss how the story of a string of robberies added up to an innovative cinematic experience that allows access for all.
Tribeca 2025 Review: Angela Lynn Tucker’s Fierce Barbara Jordan Bio “The Inquisitor” Speaks to the Moment
A powerful portrait of Barbara Jordan, the groundbreaking representative from Texas, reminds of what real leadership looks like.
Tribeca 2025 Review: Robert Petit’s “Underland” Finds History is Made Beneath the Surface
A look at subterranean explorations uncovers scientific and historical mysteries that could provide answers about our collective future.
Sarah Friedland on Doing Something Different in “Familiar Touch”
The director discusses this unusually compassionate character study of a woman adjusting to a new life as she contends with early dementia.
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Tribeca 2025 Review: Paul Andrew Williams’ “Dragonfly” Vividly Imagines Being Put in the Hands of a Reckless Caretaker
Andrea Riseborough & Brenda Blethyn deliver strong performances in a chilling drama about neighbors who find themselves in desperate straits.
DC/DOX 2025 Interview: Jon Shenk on Following Navy SEALS on a Most Unique Mission to Save Lives in “In Waves and War”
The co-director of "Athlete A" talks about following a band of brothers into the fight against personal demons and finding an unlikely cure.
