Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSundance·3 min readSundance ’18 Review: “Of Fathers and Sons” Offers an Unflinching Look at How Hate is Passed Down in Syria
ReviewsSundance·2 min readSundance ’18 Review: “The Kindergarten Teacher” Delivers a Hell of an Education
ReviewsSundance·3 min readSundance ’18 Review: Open Ears Lead to Open Hearts in Alexandria Bombach’s Powerful “On Her Shoulders”
ReviewsSundance·2 min readSundance ’18 Review: “Three Identical Strangers” Delivers One Incredible Story
ReviewsSundance·3 min readSundance ’18 Review: Bridey Elliott Scares Up the Horror of a Family Weekend in “Clara’s Ghost”
Reviews·2 min readReview: Practicality Becomes a Romantic Notion in Philippe Garrel’s Thoughtful “Lover for a Day”
Reviews·2 min readAFI Fest ’17 Review: Valeska Grisebach Boldly Goes to the Edge of Civilization with “Western”
Reviews·3 min readChicago Film Fest ’17 Review: “Rogers Park” Offers No Easy Walk, But a Rewarding One
ReviewsTIFF·2 min readTIFF ’17 Review: The State Department Gets Its Close-Up in Greg Barker’s Stirring “The Final Year”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”