Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSundance·3 min readSundance ’19 Review: A Towering Journalist Gets Her Due in “Raise Hell: The Life & Times of Molly Ivins”
ReviewsSundance·3 min readSundance ’19 Review: Liza Mandelup’s “Jawline” Offers a Study of the Social Media Starmaking Machine With Teeth
ReviewsSundance·2 min readSundance ’19 Review: Life Gets Delightfully Messy in Debra Eisenstadt’s “Imaginary Order”
ReviewsSundance·2 min readSundance ‘19 Review: A Spirited Consideration of Faith in Paul Harrill’s Spellbinding “Light From Light”
ReviewsSundance·3 min readSundance ‘19 Review: The Balance or Power Shifts in Minhal Baig’s Mighty “Hala”
ReviewsSundance·2 min readSundance ’19 Review: A Health Care Emergency Gets Wheels in “Midnight Family”
ReviewsSlamdance·2 min readSlamdance ’19 Review: Addiction Doesn’t Fiddle Around in Ronny Sen’s “Cat Sticks”
ReviewsSundance·2 min readSundance ’19 Review: Rashaad Ernesto Green’s “Premature” is Wise Beyond Its Years
ReviewsSundance·3 min readSundance ’19 Review: A Past That Can’t Be Put Behind Us In Jacqueline Olive’s Powerful “Always in Season”
ReviewsSundance·2 min readSundance ’19 Review: A Different Picture of Violence and Power Develops in Kim Longinotto’s “Shooting the Mafia”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”