Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Andy Brown and Brian Lindstrom on Spotlighting A Musician Before Her Time in “Lost Angel: The Genius of Judee Sill”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSundance·2 min readSundance 2020 Review: A Retiree Finds an Unexpected New Calling in “The Mole Agent”
ReviewsSundance·2 min readSundance 2020 Review: Bill and Turner Ross Deliver a Stirring Cocktail with “Bloody Nose, Empty Pockets”
ReviewsSundance·2 min readSundance 2020 Review: They Grow Up Fast…Too Fast in Maïmouna Doucouré’s “Cuties”
AFI FestReviews·3 min readAFI Fest ’19 Review: A Homecoming for “Ivana the Terrible” Leads to a Wonderful Comedy
AFI FestReviews·3 min readAFI Fest ‘19 Review: Words Have Power In Sofia Bohdanowicz and Deragh Campbell’s “MS Slavic 7”
DOC NYCReviews·2 min readDOC NYC ’19 Review: A Funny Thing Happened on the Way to Apprehending a Cold-Blooded Killer in “After the Murder of Albert Lima”
DOC NYCReviews·3 min readDOC NYC ’19 Review: The Realities of an Uncompromising Vision Comes to the Fore in “He Dreams of Giants”
DOC NYCReviews·2 min readDOC NYC ’19 Review: An Experiment in Terroir Unfolds in Laura Naylor’s “Vas-y-Coupe!”
DOC NYCReviews·2 min readDOC NYC ’19 Review: A Community is Brought Together by a Con in Martha Shane’s “Narrowsburg”
Reviews·2 min readChicago Film Fest ’19 Review: Karim Aïnouz’s “The Invisible Life” Thrillingly Brings a Sisterhood to the Surface
Reviews·2 min readChicago Film Fest ’19 Review: Women in Search of Leavening Find it in Each Other In Maryam Touzani’s “Adam”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”