Joanna Arnow, Scott Cohen and Babak Tafti on Capturing the Ephemeral in “The Feeling That The Time to Do Something Has Passed”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
BerlinaleReviews·2 min readBerlinale 2021 Review: The Dehumanizing Reality of War is Exposed in Dénes Nagy’s “Natural Light”
BerlinaleReviews·2 min readBerlinale 2021 Review: Ramon Zürcher and Silvan Zürcher Deliver the Time of Our Lives in “The Girl and the Spider”
BerlinaleReviews·3 min readBerlinale 2021 Review: A Connection Blossoms Under Trying Circumstances in Natalie Morales’ “Language Lessons”
BerlinaleReviews·2 min readBerlinale 2021 Review: A Daughter and Father’s Relationship Takes On Its Own Gravity in Jacqueline Lentzou’s “Moon 66 Questions”
ReviewsSundance·2 min readSundance 2021 Review: Peter Nicks’ “Homeroom” Offers A Spirited Education in Political Activism
ReviewsSundance·2 min readSundance 2021 Review: Life Reverberates in Ana Katz’s Enchanting “The Dog Who Wouldn’t Be Quiet”
ReviewsSundance·2 min readSundance 2021 Review: A Quest for the Perfect Partner Leads to Pacho Velez’s Lovely “Searchers”
ReviewsSundance·2 min readSundance 2021 Review: A Complicated Life is Unraveled in Christopher Makoto Yogi’s “I Was a Simple Man”
ReviewsSundance·3 min readSundance 2021 Review: A Legal Trailblazer Gets Their Due in “My Name is Pauli Murray”
ReviewsSundance·2 min readSundance 2021 Review: Isabel Bethencourt and Parker Hill’s “Cusp” Captures Life on the Edge
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”