August 9, 2026 Locarno Film Fest 2026 Review: A Skate Videographer Tries to Get Her Life in Line in Erin Vassilopoulos’ Gloriously Gritty “Destroy All Girls”
August 9, 2026 Locarno Film Fest 2026 Review: Mohanad Yaqubi’s “Revolutionaries Never Die” Offers a Transcendent Exchange With the Legendary Lebanese Filmmaker Jocelyne Saab
August 7, 2026 Locarno Film Fest 2026 Review: Love Can Be a Curse in Cristóbal León and Joaquín Cociña’s Spellbinding “Donkey Princess”
August 7, 2026 Locarno Film Fest 2026 Review: Fanny Liatard and Jérémy Trouilh’s “Les Yeux Verts (The Green Eyes)” Offers a Unique Vision on the Plight of Immigrants
August 9, 2026 Locarno Film Fest 2026 Review: A Skate Videographer Tries to Get Her Life in Line in Erin Vassilopoulos’ Gloriously Gritty “Destroy All Girls”
August 9, 2026 Locarno Film Fest 2026 Review: Mohanad Yaqubi’s “Revolutionaries Never Die” Offers a Transcendent Exchange With the Legendary Lebanese Filmmaker Jocelyne Saab
August 7, 2026 Locarno Film Fest 2026 Review: Love Can Be a Curse in Cristóbal León and Joaquín Cociña’s Spellbinding “Donkey Princess”
August 7, 2026 Locarno Film Fest 2026 Review: Fanny Liatard and Jérémy Trouilh’s “Les Yeux Verts (The Green Eyes)” Offers a Unique Vision on the Plight of Immigrants
June 16, 2022 Tribeca 2022 Review: Annette K. Olesen’s “A Matter of Trust” Hops Around Difficult Leaps of Faith
September 18, 2014 TIFF ’14 Review: Baran Bo Odar Shows Who He Is With the Cybercrime Thriller “Who Am I”
May 3, 2013 Interview: Susanne Bier on Making Audiences Comfortable By Getting Out of Her Comfort Zone With “Love Is All You Need”
