Human Rights Watch Film Fest 2022 Interview: Maia Kenworthy and Elena Sánchez Bellot on Making a Difference and the Differences Getting There in “Rebellion”
Hot Docs 2022 Review: The Power of a Family Secret Shifts from the Keepers to Those Willing to Expose It in Jasmin Mara López’s “Silent Beauty”
Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson
A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration
Cannes 2021 Review: A Legacy of Trauma is Passed Down in Kornél Mundruczó and Kata Wéber’s Powerful “Evolution”
Sundance 2022 Interview: Jim Archer, David Earl and Chris Hayward on Putting It All Together for the Robot Comedy “Brian and Charles”
Human Rights Watch Film Fest 2022 Interview: Maia Kenworthy and Elena Sánchez Bellot on Making a Difference and the Differences Getting There in “Rebellion”
InterviewsSundanceInterview: Michael Dweck on the Drive to Keep Going with “The Last Race”The celebrated photographer talks about making his documentary debut with the story of the Riverhead Raceway in Long Island, the last of its kind. Read Story
InterviewsInterview: Michael Dweck and Gregory Kershaw on Unearthing the Hidden Treasures in “The Truffle Hunters”The co-directors talk about designing a process of filmmaking akin to its subjects to extract riches from a fertile story of tradition and an ingredient coveted for all that goes into finding it. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
