BlackStar Film Fest 2021 Interview: Darine Hotait on Being Able to Step Outside Oneself in “Tallahassee”
Cannes 2021 Review: A Cartel Leaves a Community on Edge in Tatiana Huezo’s Absorbing “Prayers for the Stolen”
Cannes 2021 Review: The Present Takes On Unexplored Dimensions in Saul Williams and Anisia Uzeyman’s Wondrous “Neptune Frost”
Interview: Benjamin Ree, Barbora Kysilkova and Karl-Bertil Nordland on Shifting Perspectives with “The Painter and the Thief”
BlackStar Film Fest 2021 Interview: Darine Hotait on Being Able to Step Outside Oneself in “Tallahassee”
To Live and Screen in L.A.“It Was Pornography”: Friedkin Closes the Book on the Missing 40 Minutes of “Cruising”The director opens up on his autobiography and the impossible films he made after climbing the A-List with “The Exorcist” and “The French Connection.” Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
