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Subject to Review

Interview: Theo Anthony on Reading Between the Lines in “Subject to Review”

The "Rat Film" director on how the technological pursuit of justice with the use of instant replay in sports has larger ramifications for society as a whole.

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TIFF 2021 Interview: Agustina San Martín on Having Mercy in “To Kill the Beast”

TIFF 2021 Interview: Mounia Akl on Turning the Imposition of Trash Into a Film to Treasure in “Costa Brava, Lebanon”

TIFF 2021 Interview: Kate Dolan, Hazel Doupe and Carolyn Bracken on the Horror at Home in “You Are Not My Mother”

TIFF 2021 Review: Arsalan Amiri’s “Zalava” is a Devil of a Good Time

TIFF 2021 Review: “Farha” Sheds Light on the Burden of Bearing Witness

TIFF 2021 Review: “Montana Story” Lets It All Out in the Open

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
“Fast & Furious” Franchise

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

TIFF 2021 Review: A Disappearance Reveals a Criminal Network in Justin Lerner’s Harrowing “Cadejo Blanco”

Tribeca 2021 Review: A Trailblazer Uses Their Platform To Its Fullest in “The Conductor”

TIFF 2021 Review: Arsalan Amiri’s “Zalava” is a Devil of a Good Time

TIFF 2021 Review: “Farha” Sheds Light on the Burden of Bearing Witness

Playing God: 13 Actors Who Dared To Be the Deity in Movies

Subject to Review

Interview: Theo Anthony on Reading Between the Lines in “Subject to Review”

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

Playing God: 13 Actors Who Dared To Be the Deity in Movies