Andrea Nix Fine and Sean Fine on Filling in the Emotional Details of the Day That Democracy Nearly Died on “The Sixth”
Cannes 2024 Review: Tyler Taormina’s “Christmas Eve at Miller’s Point” is a Gift That Keeps On Giving
Cannes 2024 Review: Soldiers Confront a Fight They Didn’t Sign Up For in Roberto Minervini’s Thoughtful War Drama “The Damned”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsTribeca Film Festival·8 min readInterview: Esther Garrel & Nathan Silver on Getting at Something Real in “The Great Pretender”
A Face in the CrowdInterviews·10 min readInterview: Nathan Silver on Raising Hell with “Soft in the Head” & Raising Funds for “Stinking Heaven”
InterviewsTribeca Film Festival·9 min readInterview: Nathan Silver, Arthur Martinez & Lindsay Burdge on Art Imitating Life in “Actor Martinez”
ReviewsSundance·3 min readSundance 2024 Review: Nathan Silver’s “Between the Temples” Aims for the Heart
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”