The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Camden Film Fest 2021 Interview: Megan Gilbride and Drew Xanthopoulos on the Reverberations of “Fathom”

    TIFF 2021 Interview: Rodrigo Plá on Finding a New Way to Look at “The Other Tom”

    TIFF 2021 Interview: Agustina San Martín on Having Mercy in “To Kill the Beast”

  • Reviews
    Reviews

    Camden Film Fest 2021 Review: A Down to Earth Approach Brings Out Nature’s Majesty in “The Velvet Queen”

    Camden Film Fest 2021 Review: A Son Takes on His Own Summit to Understand His Father in “Torn”

    TIFF 2021 Review: The Devil Wears White in Fabrice du Welz’s Delicious Thriller “Inexorable”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

    ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

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    TIFF 2021 Review: A Disappearance Reveals a Criminal Network in Justin Lerner’s Harrowing “Cadejo Blanco”

    Camden Film Fest 2021 Interview: Megan Gilbride and Drew Xanthopoulos on the Reverberations of “Fathom”

    Camden Film Fest 2021 Review: A Son Takes on His Own Summit to Understand His Father in “Torn”

    TIFF 2021 Interview: Penny Lane on Exploring the Rougher Edges Around the Popularity of Smooth Jazz in “Listening to Kenny G”

    Camden Film Fest 2021 Review: A Down to Earth Approach Brings Out Nature’s Majesty in “The Velvet Queen”

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Mlungu Wam (Good Madam)

ReviewsTIFF

TIFF 2021 Review: “Mlumgu Wam (Good Madam)” Sensationally Serves Up the Ongoing Horrors of Apartheid

The laws may no longer reflect it, but the ingrained attitudes of a once-divided South Africa continue to hold power in this cunning thriller.
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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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