BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”
Tribeca 2022 Review: No Mourning is Allowed with Death on the Horizon in the Beautifully Bittersweet “Pink Moon”
“All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen
Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson
BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”
BAMcinemafest 2022 Interview: Robert Machoian and Rodrigo Ojeda-Beck on Looking Towards Sunset in “The Last Days of August”
ReviewsTribeca Film FestivalTribeca 2020 Review: A Community Threatened to Be Erased is Committed to Film in Michèle Stephenson’s “Stateless”A citizenship purge in the Dominican Republic is brought to light in this compelling doc. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
