The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Rachel Boynton on Raising a Key Question of Our Times in “Civil War (Or, Who Do We Think We Are)”

    Rachel Fleit on Getting Underneath the Surface with “Introducing Selma Blair”

    Alex Camilleri and Jesmark Scicluna on Staying Ahead of a Rising Tide in “Luzzu”

  • Reviews
    Reviews

    Newport Beach Film Fest 2021 Review: “Never Catch Pigeons: And Eleven More Hard Lessons from Mr. Paul Van Doren” Does the Legwork for an Engaging History of Vans

    Beyond Fest 2021 Review: “The Black Phone” Answers the Call

    Hamptons Film Fest 2021 Review: Paolo Sorrentino Shows Some Perspective with “The Hand of God”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    How Joan Micklin Silver’s “Hester Street” Transcended the Idea of Hollywood Being a One-Horse Town

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

  • Trending
    NowWeekMonth

    Newport Beach Film Fest 2021 Review: “Never Catch Pigeons: And Eleven More Hard Lessons from Mr. Paul Van Doren” Does the Legwork for an Engaging History of Vans

    Jessica Earnshaw on Exploring the Roots of Generational Trauma in “Jacinta”

    Rachel Boynton on Raising a Key Question of Our Times in “Civil War (Or, Who Do We Think We Are)”

    Rachel Fleit on Getting Underneath the Surface with “Introducing Selma Blair”

    Melora Waters and Jeffrey DeMunn in "The Amaranth"

    Austin Film Fest ’18 Review: “The Amaranth” Never Grows Old

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Matt Stuart

A still from "Garry Winogrand: All Things Are Photographable"
ReviewsSXSW

SXSW ’18 Review: A Dynamic Portrait Emerges in “Garry Winogrand: All Things Are Photographable”

Even for a photographer known for capturing movement, Sasha Waters Freyer's biography is an exceptionally moving snapshot.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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