The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Camden Film Fest 2021 Interview: Megan Gilbride and Drew Xanthopoulos on the Reverberations of “Fathom”

    TIFF 2021 Interview: Rodrigo Plá on Finding a New Way to Look at “The Other Tom”

    TIFF 2021 Interview: Agustina San Martín on Having Mercy in “To Kill the Beast”

  • Reviews
    Reviews

    Camden Film Fest 2021 Review: A Down to Earth Approach Brings Out Nature’s Majesty in “The Velvet Queen”

    Camden Film Fest 2021 Review: A Son Takes on His Own Summit to Understand His Father in “Torn”

    TIFF 2021 Review: The Devil Wears White in Fabrice du Welz’s Delicious Thriller “Inexorable”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

    ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

  • Trending
    NowWeekMonth

    TIFF 2021 Review: A Disappearance Reveals a Criminal Network in Justin Lerner’s Harrowing “Cadejo Blanco”

    TIFF 2021 Interview: Penny Lane on Exploring the Rougher Edges Around the Popularity of Smooth Jazz in “Listening to Kenny G”

    SIFF 2021 Review: “East of the Mountains” Opens Up a Road to Reflection

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

    Melora Waters and Jeffrey DeMunn in "The Amaranth"

    Austin Film Fest ’18 Review: “The Amaranth” Never Grows Old

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Laurie Simmons

A still from "Garry Winogrand: All Things Are Photographable"
ReviewsSXSW

SXSW ’18 Review: A Dynamic Portrait Emerges in “Garry Winogrand: All Things Are Photographable”

Even for a photographer known for capturing movement, Sasha Waters Freyer's biography is an exceptionally moving snapshot.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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