The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Gianfranco Rosi on Having the Blessing of the Pope to Make “In Viaggio”

    Lola Quivoron on Hanging On to a Feeling in “Rodeo”

    Lise Akoka and Romane Gueret on Bringing the Best Out of “The Worst Ones”

  • Reviews
    Reviews

    SXSW 2023 Review: “The Arc of Oblivion” Navigates a Flood of Ideas About Cultural Preservation

    SXSW 2023 Review: “Queendom” Artfully Takes on a Kingdom in Russia

    SXSW 2023 Review: It’s the Journey, Not the Destination in the Fascinating “Last Stop Larrimah”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    How Alice Rohrwacher Fashioned a Christmas Tale That Takes the Cake in “Le Pupille”

    A Cut Above: How Mark Pellington Went a Little Further to Finally Be Satisfied with “Going All the Way”

    Francine McDougall on Rolling the Dice with “Sugar & Spice”

  • Trending
    NowWeekMonth

    Lizzie Gottlieb on Making One for the Books in “Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb”

    Natalia Dyer and Peter Vack in "I Believe in Unicorns"

    Interview: Leah Meyerhoff, Natalia Dyer & Peter Vack on “I Believe in Unicorns”

    Ursula Liang on a Straight Shooter Who Took on the World in “Jeanette Lee Vs.”

    Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"

    Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

    Tallie Medel in "Jules of Light and Dark"

    Austin Film Fest ’18 Review: Personal Truths Shine Through in Daniel Laabs’ Moving “Jules of Light and Dark”

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Lana Wilson

Favorites

Our Favorites 2020: Lana Wilson on Setting the Stage for a Star to Shine at Her Brightest in “Miss Americana”

The director of "The Departure" talks about staying true to her voice as Taylor Swift learned the true power of hers in the most exceptional film of 2020.
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Ittetsu Nemoto in "The Departure"
ReviewsTribeca Film Festival

Tribeca ’17 Review: The Transcendent Life of a Man Who Prevents Death in Lana Wilson’s “The Departure”

The "After Tiller" co-director once again finds grace in the most trying of professions, accompanying suicide prevention specialist Ittetsu Nemoto in Japan.
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Dr. Merel Kindt in "A Cure for Fear"
Interviews

Interview: Lana Wilson on Putting Great Care Into “A Cure for Fear”

The director of "The Departure" talks about her riveting new online series about the extraordinary possibilities and potentially fraught implications of a 24-hour procedure that can wipe away your greatest terror.
Read Story
Dr. Susan Robinson in Martha Shane and Lana Wilson's "After Tiller"
Interviews

Interview: Lana Wilson and Martha Shane on Taking a Breath With “After Tiller”

On the four remaining doctors in America who risk their lives to perform late-term abortions.
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A scene from Lana Wilson's "The Departure"
Interviews

Interview: Lana Wilson on Locating Humanity in the Transcendent Experience of “The Departure”

The "After Tiller" co-director talks about once again heading into a harrowing arena with this invigorating profile of suicide prevention specialist Ittetsu Nemoto.
Read Story
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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