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Joey Altruda

Telluride 2021 Interview: Matt Dillon on Getting Into a Groove with “El Gran Fellove”

The actor/director talks about his documentary directorial debut in the works for two decades, restoring the legacy of one of the great Afro-Cuban musicians.

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Alex Camilleri and Jesmark Scicluna on Staying Ahead of a Rising Tide in “Luzzu”

Claudia Llosa and Samanta Schweblin on Creating the Waking Life of “Fever Dream”

Fran Kranz on Packing an Emotional Wallop Into “Mass”

Beyond Fest 2021 Review: “The Black Phone” Answers the Call

Hamptons Film Fest 2021 Review: Paolo Sorrentino Shows Some Perspective with “The Hand of God”

Woodstock Film Fest 2021 Review: “Porcupine” Offers a Sharp Look At the Family You Create for Yourself

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
“Fast & Furious” Franchise

How Joan Micklin Silver’s “Hester Street” Transcended the Idea of Hollywood Being a One-Horse Town

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

Jessica Earnshaw on Exploring the Roots of Generational Trauma in “Jacinta”

Viet Film Fest Artistic Director Eric Nong on Taking a Conversation About the World of Vietnamese Cinema Global

Beyond Fest 2021 Review: “The Black Phone” Answers the Call

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Joey Altruda

Telluride 2021 Interview: Matt Dillon on Getting Into a Groove with “El Gran Fellove”

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

Playing God: 13 Actors Who Dared To Be the Deity in Movies