The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Orlando von Einseidel and Hassan Akkad on Rising to the Global Challenge of “Convergence”

    Editor Pax Wassermann on Diving Into the Details of “Becoming Cousteau”

    Rachel Boynton on Raising a Key Question of Our Times in “Civil War (Or, Who Do We Think We Are)”

  • Reviews
    Reviews

    Newport Beach Film Fest 2021 Review: Mye Hoang’s “Cat Daddies” Looks to the Softer Side of Man

    Newport Beach Film Fest 2021 Review: “Never Catch Pigeons: And Eleven More Hard Lessons from Mr. Paul Van Doren” Does the Legwork for an Engaging History of Vans

    Beyond Fest 2021 Review: “The Black Phone” Answers the Call

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    How Joan Micklin Silver’s “Hester Street” Transcended the Idea of Hollywood Being a One-Horse Town

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

  • Trending
    NowWeekMonth

    Rachel Boynton on Raising a Key Question of Our Times in “Civil War (Or, Who Do We Think We Are)”

    Jessica Earnshaw on Exploring the Roots of Generational Trauma in “Jacinta”

    Newport Beach Film Fest 2021 Review: Mye Hoang’s “Cat Daddies” Looks to the Softer Side of Man

    Rachel Fleit on Getting Underneath the Surface with “Introducing Selma Blair”

    Orlando von Einseidel and Hassan Akkad on Rising to the Global Challenge of “Convergence”

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BerlinaleReviews

Berlinale 2021 Review: Love Lies Below Ryusuke Hamaguchi’s Enchanting “Wheel of Fortune and Fantasy”

An omnibus from the writer/director of "Happy Hour" and "Asako I and II" continues a unique view of relationships, including the ones we have with ourselves.
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Copyright 2011 The Moveable Fest

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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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