BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”
Tribeca 2022 Review: No Mourning is Allowed with Death on the Horizon in the Beautifully Bittersweet “Pink Moon”
“All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen
Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson
BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”
BAMcinemafest 2022 Interview: Robert Machoian and Rodrigo Ojeda-Beck on Looking Towards Sunset in “The Last Days of August”
ReviewsTIFFTIFF ’14 Review: Esteban Roel and Juanfer Andrés Craft a Wicked “Shrew’s Nest”Two disciples of Spanish horror virtuoso Álex de la Iglesia do well by their exec producer. Read Story
ReviewsTIFFTIFF ’15 Review: Alex de la Iglesia Outdoes Himself with the Mad, Merciless “My Big Night”The Spanish madman delivers one of his finest films in years with this wild and crazy comedy about the production of a New Year's Eve special gone horribly awry. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
