May 18, 2026 Cannes 2026 Review: Marine Atlan’s Magnificent Coming-of-Age Drama “La Gradiva” Shows Real Class
May 17, 2026 Cannes 2026 Review: Nicolas Athané and Marco Nguyen’s Out and Out Animated Comedy “Jim Queen” Has Unexpected Muscle
May 17, 2026 Cannes 2026 Review: A Quiet Connection Holds Considerable Power in Yukiko Sode’s “All the Lovers in the Night”
May 16, 2026 Cannes 2026 Review: Life as a Twentysomething is an Ongoing Battle in Lila Pinell’s Punchy “Shana”
May 18, 2026 Cannes 2026 Review: Marine Atlan’s Magnificent Coming-of-Age Drama “La Gradiva” Shows Real Class
May 17, 2026 Cannes 2026 Review: Nicolas Athané and Marco Nguyen’s Out and Out Animated Comedy “Jim Queen” Has Unexpected Muscle
May 17, 2026 Cannes 2026 Review: A Quiet Connection Holds Considerable Power in Yukiko Sode’s “All the Lovers in the Night”
May 16, 2026 Cannes 2026 Review: Life as a Twentysomething is an Ongoing Battle in Lila Pinell’s Punchy “Shana”
February 10, 2025 Sundance 2025 Review: A Knock on the Door Has Reverberations for an Entire Society in “The Perfect Neighbor”
June 26, 2022 Tribeca 2022 Review: “Lowndes County and the Road to Black Power” Illuminates the Importance of the Vote in the Deep South
March 31, 2020 SXSW 2020 Interview: Geeta Gandbhir on Capturing a Place That Can Never Be Called Home with “Call Center Blues”
May 16, 2017 Tribeca Film Fest ’17 Interview: Trish Adlesic and Geeta Gandbhir on Making an Irrefutable Case in “I Am Evidence”
