Tribeca 2021 Interview: Emmett Brennan on Tapping Into Creative Forms of Conservation in “Reflection: a walk with water”
Tribeca 2021 Review: Refugees of a War-Torn Syria Refuse to Be Pulled Apart in the Tender “Simple as Water”
Tribeca 2021 Review: A Conductor Creates Harmony Out of Cultural Discord in the Rousing “Bernstein’s Wall”
Tribeca 2021 Review: There’s Truly No Place Like Home in Gaysorn Thavat’s Admirably Irreverent “The Justice of Bunny King”
Tribeca 2021 Review: Refugees of a War-Torn Syria Refuse to Be Pulled Apart in the Tender “Simple as Water”
Interview: Silja Hauksdóttir, Katla M. Porgeirsdóttir, and Donna Cruz on Taking the Roads Less Traveled to Contentment in “Agnes Joy”
InterviewsTIFFInterview: Gonzalo Tobal on Putting the Court of Public Opinion on Trial in “The Accused”The Argentinian filmmaker talks about his compelling new thriller in which the question of whether the law has been broken takes a backseat to whether our justice system is. Read Story
FestivalsNew York Film Festival 2011ReviewsNYFF ’11 Review: Getting Lost in Julia Loktev’s “The Loneliest Planet”The "Day Night Day Night" director's second narrative feature reaches great heights in taking the peaks and valleys of a romance to a literal level. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
