The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Kyle Gallner and Emily Skeggs on Serving Up Subversion in “Dinner in America”

    Bonni Jo Hart on Amping Up a Pioneering Band in “Fanny: The Right to Rock”

    Dan Mirvish on Wrangling a Wild Tale of the Tape in “18 1/2”

  • Reviews
    Reviews

    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

    Cannes 2022 Review: An Actor Gets a Part He’d Rather Not Play in the Curious Conspiracy Thriller “The Green Perfume”

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

  • Trending
    NowWeekMonth

    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

    Kyle Gallner and Emily Skeggs on Serving Up Subversion in “Dinner in America”

    Cannes 2022 Review: An Actor Gets a Part He’d Rather Not Play in the Curious Conspiracy Thriller “The Green Perfume”

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

    Interview: Taika Waititi on “Boy,” the Boredom of Acting and the Excitement of Childhood

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China

Lixin Fan's "I Am Here"
FestivalsTIFF

TIFF ’14 Interview: Lixin Fan on Finding China’s Values Through its Culture in “I Am Here”

After the somber "Last Train Home," the filmmaker returns with an exuberant look at China's youngest generation through its popular "Superboy" singing competition.
Read Story
Cai Guo Qiang in "Sky Ladder"
ReviewsSundance

Sundance ’16 Review: An Ascendant Portrait of an Artist in “Sky Ladder: The Art of Cai Guo Qiang”

Sundance couldn't have asked for more opening night fireworks than this dazzling doc about the contemporary Chinese artist.
Read Story
Ai Weiwei in a scene from Alison Klayman's documentary Ai Weiwei: Never Sorry
Interviews

Interview: Alison Klayman on Not Apologizing for “Ai Weiwei: Never Sorry”

The first-time filmmaker talks about providing new insight on the artist/activist who prides himself on making China a more transparent place.
Read Story
A scene from Miao Wang's "Maineland"
InterviewsSXSW

SXSW ’17 Interview: Miao Wang on Heading Back to High School for “Maineland”

The "Beijing Taxi" filmmaker talks about observing the cultural assimilation of two Chinese students at an American boarding school in her latest film.
Read Story
Zhao Tao in "Ash is the Purest White"
Interviews

Interview: Jia Zhangke on the Intersection of an Evolving Career and an Evolving Country in “Ash is the Purest White”

The director talks about his galvanizing gangster drama set in a ever-changing China and the ongoing rewards of his collaboration with Zhao Tao.
Read Story
Ye Haiyan in "Hooligan Sparrow"
Sundance

Interview: Nanfu Wang on the Watchful Eye of “Hooligan Sparrow”

The director of an urgent new doc profiling a Chinese activist who shines a light on government corruption talks about evading secret police and smuggling footage out of the country.
Read Story
Haoyu Yang in "Dead Pigs"
InterviewsSundance

Sundance ’18 Interview: Cathy Yan on Breathing Life Into the Delightful “Dead Pigs”

The journalist-turned-filmmaker talks about making a brilliant modern comedy that rises to the challenge of capturing new China through a family that may be left behind in the name of progress.
Read Story
Yang Mi in "Baby"
InterviewsTIFF

TIFF ’18 Interview: Liu Jie on Bringing Up “Baby”

On a woman (Yang Mi) striving to protect a child at all costs and a director who would stop at nothing to portray the situation as authentically as possible in this stirring Chinese drama.
Read Story
Jiang Wu in Jia Zhangke's film "A Touch of Sin"
Interviews

Interview: Jia Zhang-ke Fights Back With “A Touch of Sin”

On sneaking the incisive, socially conscious meditation on violence past Chinese censors.
Read Story
Jean-Jacques Annaud's "Wolf Totem"
Interviews

Interview: Jean-Jacques Annaud Heeds the Call of the Wild for “Wolf Totem”

One of the world's most well-traveled directors on making a film based on one of China's most cherished texts after being banned from the country and remembering the late, great composer James Horner.
Read Story
Ian Cheney's "The Search for General Tso"
ReviewsTribeca Film Festival

Tribeca ’14 Review: “The Search for General Tso”
Dishes Out a Tasty Cultural History

This adventurous look at the Chinese restaurant staple reveals the complexities of US-China relations.
Read Story
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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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