DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
Interviews·10 min readInterview: Jia Zhangke on the Intersection of an Evolving Career and an Evolving Country in “Ash is the Purest White”
InterviewsSundance·11 min readSundance ’18 Interview: Cathy Yan on Breathing Life Into the Delightful “Dead Pigs”
ReviewsTribeca Film Festival·2 min readTribeca ’14 Review: “The Search for General Tso” Dishes Out a Tasty Cultural History
InterviewsSXSW·5 min readSXSW ’17 Interview: Miao Wang on Heading Back to High School for “Maineland”
ReviewsSundance·3 min readSundance ’16 Review: An Ascendant Portrait of an Artist in “Sky Ladder: The Art of Cai Guo Qiang”
FestivalsTIFF·9 min readTIFF ’14 Interview: Lixin Fan on Finding China’s Values Through its Culture in “I Am Here”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”