Blackstar Film Fest 2021 Interview: Darine Hotait on Being Able to Step Outside Oneself in “Tallahassee”
Cannes 2021 Review: A Cartel Leaves a Community on Edge in Tatiana Huezo’s Absorbing “Prayers for the Stolen”
Cannes 2021 Review: The Present Takes On Unexplored Dimensions in Saul Williams and Anisia Uzeyman’s Wondrous “Neptune Frost”
Interview: Benjamin Ree, Barbora Kysilkova and Karl-Bertil Nordland on Shifting Perspectives with “The Painter and the Thief”
Blackstar Film Fest 2021 Interview: Darine Hotait on Being Able to Step Outside Oneself in “Tallahassee”
Tribeca 2020 Review: An Ex-Con Can’t Just Pick Up Where Life Left Off in Sabrina Doyle’s Lovely Drama “Lorelei”
AwardsThe MentaculistA Brief History of Self-Financed Oscar Campaigns: Five Award Aspirants That Paid Their Own WayWhether to earn acclaim or just the ability to work more, these filmmakers have put the money where their mouth is when it comes to building awards buzz for their latest film. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
