Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Interview: Jennifer MacArthur on a Movement Towards Sustainability for Black-Owned Forests in “Family Tree”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
L.A. Film FestReviewsUncategorized·3 min readLA Film Fest ’14 Review: “Billy Mize and the Bakersfield Sound” Keeps it Upbeat
ReviewsUncategorized·3 min readReview: Davidson and Junge Build an Exciting History of Legos in “Beyond the Brick”
Uncategorized·5 min readTribeca ’14 Interview: Andrew Renzi and Tylee Abbott Capture the West with “Fishtail”
Uncategorized·2 min readJacob Kornbluth on the Class That Led to the Economic Class Dissection Doc “Inequality for All”
Uncategorized·11 min readInterview: Jared Moshé, Clare Bowen, David Call & Barlow Jacobs Blaze a New Trail in “Dead Man’s Burden”
Uncategorized·9 min readSXSW ’13 Interview: Glenn Leyburn, Lisa Barros D’Sa & Jodie Whittaker Spread “Good Vibrations”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”