Andrea Nix Fine and Sean Fine on Filling in the Emotional Details of the Day That Democracy Nearly Died on “The Sixth”
Cannes 2024 Review: Tyler Taormina’s “Christmas Eve at Miller’s Point” is a Gift That Keeps On Giving
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSeattle Film FestivalUncategorized·3 min readSIFF ’16 Review: Authenticity Goes a Long Way in Nathan Adloff’s Winning “Miles”
ReviewsSundanceUncategorized·3 min readSundance ’16 Review: A Droll Documentarian & a Mystery Woman on the Run Conspire for Fun in “Jacqueline (Argentine)”
ReviewsSundanceUncategorized·3 min readSundance ’16 Review: The Dark Side of the Power of Belief is Brought to Light in “Holy Hell”
Uncategorized·2 min readSundance ’18 Review: Chloe Sevigny and Kristen Stewart Have an Axe to Grind in Craig William MacNeill’s Killer “Lizzie”
Uncategorized·2 min readSundance 2023 Review: “Going to Mars: The Nikki Giovanni Project” Has a Way With Words
Uncategorized·9 min readSXSW ’13 Interview: Glenn Leyburn, Lisa Barros D’Sa & Jodie Whittaker Spread “Good Vibrations”
ReviewsSXSWUncategorized·3 min readSXSW ’15 Review: With “Uncle Kent 2,” A Sequel That’s Something Else
ReviewsSXSWUncategorized·3 min readSXSW ’17 Review: C.A. Gabriel & Renée Felice Smith’s “The Relationtrip” is Well Worth Taking
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”