Andrea Nix Fine and Sean Fine on Filling in the Emotional Details of the Day That Democracy Nearly Died on “The Sixth”
Cannes 2024 Review: Tyler Taormina’s “Christmas Eve at Miller’s Point” is a Gift That Keeps On Giving
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTIFF·3 min readTIFF ’16 Review: A Feast for the Mind in Sarah Adina Smith’s “Buster’s Mal Heart”
ReviewsTIFF·2 min readTIFF ’16 Review: Raoul Peck Reignites the Discussion Around Race Relations in “I Am Not Your Negro”
InterviewsTIFF·10 min readTIFF ’16 Interview: Bronwen Hughes on the Wild, Fulfilling Ride of “The Journey is the Destination”
InterviewsTIFF·7 min readTIFF ’16 Interview: Wayne Roberts on Making an Entrance with “Katie Says Goodbye”
ReviewsTIFFUncategorized·3 min readTIFF ’16 Review: Jim Sheridan’s “The Secret Scripture” is Worth Uncovering
TIFF·10 min readInterview: Erin Heidenreich, Cassandra Sanford-Rosenthal & Maria Toorpakai Wazir on Unveiling “The War to Be Her”
InterviewsTIFF·12 min readTIFF ’16 Interview: Fatima Al-Banawi, Hisham Fageeh & Mahmoud Sabbagh on Introducing Saudi Arabia Cinematically in “Barakah Meets Barakah”
InterviewsTIFF·10 min readTIFF ’16 Interview: Rachel Lambert and the Cast of “In the Radiant City” on a Much Deserved Moment in the Sun
TIFF·9 min readTIFF ’16 Interview: Jamie Kastner on Leaving A Lot Up in the Air with “The Skyjacker’s Tale”
InterviewsTIFF·8 min readTIFF ’16 Interview: Maya Zinshtein on Kicking a Hornet’s Nest in “Forever Pure”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”