Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsTIFF·6 min readTIFF 2022 Interview: Karimah Zakia Issa on Channeling the Inner Fears of “Scaring Women at Night”
ReviewsTIFF·2 min readTIFF 2023 Review: “The Teacher” Outlines a Conflict That Leaves Everyone as Prisoners of War
ReviewsTIFF·2 min readTIFF 2023 Review: “We Grown Now” Gives a Community Somewhere to Start Rebuilding
ReviewsTIFF·3 min readTIFF 2023 Review: A Once Tight-Knit Commune Picks Up Loose Threads in Lukas Moodysson’s “Together 99”
ReviewsTIFF·2 min readTIFF 2021 Review: Daniel Carsenty and Mohammed Abugeth’s “The Devil’s Drivers” Charts a Difficult Road Ahead for Israel and Palestine
FestivalsTIFF·9 min readTIFF ’14 Interview: Lixin Fan on Finding China’s Values Through its Culture in “I Am Here”
InterviewsTIFF·10 min readInterview: Daniel Sawka, Anthony Gonzalez, Omar Leyva & Matthew Moreno on Tackling the Hot Button of Immigration with “Icebox”
InterviewsTIFF·6 min readTIFF ’19 Interview: Chloé Robichaud on Finding Her Way Inside the Tale of an Outsider in “Delphine”
ReviewsTIFF·2 min readTIFF 2022 Review: A Journalist’s Pursuit of the Truth Leads to Soul Searching in “While We Watched”
InterviewsTIFF·7 min readTIFF 2023 Interview: Paula Hernández on Stirring up a Storm of Emotions in “A Ravaging Wind”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”