May 22, 2025 Laura Piani and Camille Rutherford on Authoring Their Own Love Story in “Jane Austen Wrecked My Life”
May 22, 2025 Cannes 2025 Review: History is Left Up to Chance in Mateo Zoppis and Alessio Rigo de Righi’s Playful and Poignant “Heads or Tails?”
May 21, 2025 Cannes 2025 Review: Where There’s a Wheel, There’s a Way in Lloyd Lee Choi’s Splendid “Lucky Lu”
May 22, 2025 Laura Piani and Camille Rutherford on Authoring Their Own Love Story in “Jane Austen Wrecked My Life”
May 22, 2025 Cannes 2025 Review: History is Left Up to Chance in Mateo Zoppis and Alessio Rigo de Righi’s Playful and Poignant “Heads or Tails?”
May 21, 2025 Cannes 2025 Review: Where There’s a Wheel, There’s a Way in Lloyd Lee Choi’s Splendid “Lucky Lu”
October 3, 2024 TIFF 2024 Review: Sophie Deraspe’s “Shepherds” Finds Beauty in Breaking Away From the Flock
September 26, 2024 TIFF 2024 Review: An Author’s Voice Carries in Madeleine Hunt-Ehrlich’s Reverberant “The Ballad of Suzanne Césaire”
September 23, 2024 TIFF 2024 Review: William Bridges’ Sci-Fi Romance “All of You” Works Its Way Into Your Heart
September 22, 2024 TIFF 2024 Review: A Passing Moment Leaves a Deep Impression in Durga Bose-Chew’s Beguiling “Bonjour Tristesse”
September 18, 2024 TIFF 2024 Review: History’s Embrace May Be a Little Too Tight for Comfort in Sofia Bohdanowicz’s Exquisite “Measures for a Funeral”
September 17, 2024 TIFF 2024 Interview: Milad Tangshir and Ibrahima Sambou on Legging Out a Life in “Anywhere Anytime”
September 16, 2024 TIFF 2024 Review: Dea Kulumbegashvili Finds a Strong Way In to an Outside Operator in the Devastating “April”
September 16, 2024 TIFF 2024 Review: Personal Growth Takes Wild Directions in Giovanni Tortorici’s Deviously Charming “Diciannove”
September 16, 2024 TIFF 2024 Review: An Author Rewrites Her Destiny in Sinéad O’Shea’s Electric “Blue Road: The Edna O’Brien Story”
