Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Interview: Jennifer MacArthur on a Movement Towards Sustainability for Black-Owned Forests in “Family Tree”
Hot Docs 2024 Interview: Roya Sadat on Watching Women Take a Seat at the Negotiating Table in “The Sharp Edge of Peace”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTIFF·2 min readTIFF 2023 Review: “The Teacher” Outlines a Conflict That Leaves Everyone as Prisoners of War
ReviewsTIFF·3 min readTIFF 2023 Review: Azazel Jacobs’ “His Three Daughters” is an Irresistible Family Affair
ReviewsTIFF·2 min readTIFF 2023 Review: “We Grown Now” Gives a Community Somewhere to Start Rebuilding
InterviewsTIFF·8 min readTIFF 2023 Interview: Ivete Lucas and Patrick Bresnan on a Celebration of Life in “The Passing”
ReviewsTIFF·3 min readTIFF 2023 Review: “Green Border” Crisply Captures a Situation That’s Rough Around the Edges
InterviewsTIFF·10 min readTIFF 2023 Interview: Eva Thomas on Giving Herself the Greenlight to Make “Redlights”
ReviewsTIFF·2 min readTIFF 2022 Review: “Bones of Crows” Boasts a Grand Historical Sweep That Leaves Nothing Under the Rug
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”