Andrea Nix Fine and Sean Fine on Filling in the Emotional Details of the Day That Democracy Nearly Died on “The Sixth”
Cannes 2024 Review: A Refugee Courier Seeks Deliverance in Boris Lojkine’s Moving “L’Historie de Souleymane”
Cannes 2024 Review: A Defiant Poet Gets a Radical Biopic in the Electric “Limonov: The Ballad of Eddie”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTIFF·3 min readTIFF 2022 Review: Alice Diop’s “Saint Omer” Compassionately Reenvisions What’s Criminal
ReviewsTIFF·2 min readTIFF 2022 Review: A Son Rises in Kelly Fyffe Marshall’s Lovely “When Morning Comes”
ReviewsTIFF·2 min readTIFF 2022 Review: “The Grab” Gets Resourceful in Capturing a Dramatic Shift in Global Food Supply Chains
ReviewsTIFF·2 min readTIFF 2022 Review: A Little Imagination Goes A Long Way in Maïmouna Doucouré’s “Hawa”
InterviewsTIFF·9 min readTIFF 2022 Interview: Sarah McCarthy on Reaching a Sea of Tranquility Amidst Treacherous Political Tides in “Anastasia”
ReviewsTIFF·2 min readTIFF 2022 Review: After Resettlement, a Struggle to Live with Purpose Commences in “Concrete Valley”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”