Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Interview: Jennifer MacArthur on a Movement Towards Sustainability for Black-Owned Forests in “Family Tree”
Hot Docs 2024 Interview: Roya Sadat on Watching Women Take a Seat at the Negotiating Table in “The Sharp Edge of Peace”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTIFFUncategorized·3 min readTIFF ’16 Review: Jim Sheridan’s “The Secret Scripture” is Worth Uncovering
InterviewsTIFF·7 min readTIFF ’16 Interview: Wayne Roberts on Making an Entrance with “Katie Says Goodbye”
InterviewsTIFF·10 min readTIFF ’16 Interview: Bronwen Hughes on the Wild, Fulfilling Ride of “The Journey is the Destination”
ReviewsTIFF·2 min readTIFF ’16 Review: Raoul Peck Reignites the Discussion Around Race Relations in “I Am Not Your Negro”
ReviewsTIFF·3 min readTIFF ’16 Review: A Feast for the Mind in Sarah Adina Smith’s “Buster’s Mal Heart”
InterviewsTIFF·6 min readInterview: Joachim Lafosse on Riding Into the Storm with “The White Knights”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”