Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Reviews·2 min readSan Francisco Film Fest ’19 Review: A Dark Environmental Outlook is Brought to Light in Sara Dosa’s Effervescent “The Seer and the Unseen”
Reviews·2 min readCleveland Film Fest ’19 Review: A Relationship That Begins to Defy Gravity Takes Off in “Around the Sun”
ReviewsSXSW·2 min readSXSW ’19 Review: The Hills are Alive with the Sound of Laughter in Ninian Doff’s “Boyz in the Wood”
ReviewsSXSW·2 min readSXSW ’19 Review: In Saying What’s Been Long Been Unsaid, “Saint Frances” Gives Audiences Something to Talk About
ReviewsSXSW·2 min readSXSW ’19 Review: Being the Romantic Hero Comes with Dire Consequences in the Devilishly Funny “Villains”
ReviewsSXSW·2 min readSXSW ’19 Review: Peak Performances Drive Hilary Brougher’s Volcanic “South Mountain”
ReviewsSXSW·2 min readSXSW ‘19 Review: “Olympic Dreams” Offers Up an Unexpected and Lovely Dose of Reality
ReviewsSXSW·2 min readSXSW ’19 Review: Joining a Young Woman at a Crossroads, “Mickey and the Bear” Takes the Right Path
ReviewsSXSW·3 min readSXSW ’19 Review: Numa Perrier Investigates the Power of Influence in the Intriguing Sister Tale “Jezebel”
ReviewsTrue/False·2 min readTrue/False ’19 Review: James Blagden and Roni Moore Make “Midnight in Paris” a Prom Night to Remember
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”