Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Interview: Jennifer MacArthur on a Movement Towards Sustainability for Black-Owned Forests in “Family Tree”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTIFF·2 min readTIFF 2021 Review: History is a Wily Creature in Emre Kayis’ Poignant “Anatolian Leopard”
ReviewsTIFF·2 min readTIFF 2021 Review: A Musician Must Find His Rhythm Amidst the Blues in Thyrone Tommy’s Rapturous “Learn to Swim”
ReviewsTIFF·2 min readToronto Film Fest 2021 Review: A Wrong Diagnosis is Righted in Melanie Laurent’s Spirited Drama “The Mad Woman’s Ball”
ReviewsTIFF·2 min readTIFF 2021 Review: Daniel Carsenty and Mohammed Abugeth’s “The Devil’s Drivers” Charts a Difficult Road Ahead for Israel and Palestine
ReviewsTIFF·2 min readTIFF 2021 Review: “Mlumgu Wam (Good Madam)” Sensationally Serves Up the Ongoing Horrors of Apartheid
ReviewsTIFF·3 min readTIFF 2021 Review: A Standoff Leads You to Sit Up in Stefan Forbes’ “Hold Your Fire”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”