Tribeca ’12 Review: Fischer and Messina Push “The Giant Mechanical Man” To Do What It Can to Get By
Most of the charm in Lee Kirk's directorial debut comes from the familiar.
Tribeca Film Festival
Tribeca ’12 Review: Andrew Semans’ Sterling
Debut Makes You Want More “Nancy, Please”
A fantastic feature debut worth obsessing over.
Tribeca ’12 Interview: Alex Karpovsky on Filming in a Working Lab and Scrapping Together the Budget for “Rubberneck”
A man of many hats and many films, the actor/writer/director talks about taking a turn for the dramatic with his latest film, a rich thrille...
Fantastic Fest ’11 Review: “Sleepless Night” Enough to Stay Awake
Already tapped for an American remake, it's the unique cultural flavors that give the thrill to this chase film.
TIFF ’11 Review: Gyllenhaal, Dancy Heighten “Hysteria”
Tanya Wexler's sweet and salty Victorian-era romantic comedy involving the birth of the world's first vibrator aims to please and please it ...
TIFF ’11 Review: The Effortless Brilliance of Lynn Shelton’s “Your Sister’s Sister”
Her finest film to date, the new film from the "Humpday" writer/director gets an infusion of movie stars such as Emily Blunt and Rosemarie D...
TIFF ’11 Review: Marjane Satrapi and Vincent Paronnaud’s Somber But Sweet “Chicken With Plums”
A slighter story than their first film but nonetheless delightful, the second film from the "Persepolis" writer/directors finds a vivid stor...