Joanna Arnow, Scott Cohen and Babak Tafti on Capturing the Ephemeral in “The Feeling That The Time to Do Something Has Passed”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsTIFF·8 min readTIFF 2022 Interview: Asia Youngman on Testing the Waters with “n’x̌ax̌aitkʷ: Sacred Spirit of the Lake”
InterviewsTIFF·9 min readTIFF 2022 Interview: James Cosmo and Klaus Härö on Getting to the Emotional Depths of “My Sailor, My Love”
InterviewsTIFF·8 min readTIFF 2022 Interview: Olivia Peace on Running Down a Dream in “Against Reality”
InterviewsTIFF·6 min readTIFF 2022 Interview: Karimah Zakia Issa on Channeling the Inner Fears of “Scaring Women at Night”
InterviewsTIFF·9 min readTIFF 2022 Interview: Sarah McCarthy on Reaching a Sea of Tranquility Amidst Treacherous Political Tides in “Anastasia”
InterviewsTIFF·6 min readTIFF 2022 Interview: Tyler Mckenzie Evans on the Changing Face of a Neighborhood in “Diaspora”
ReviewsTIFF·2 min readTIFF 2022 Review: “Bones of Crows” Boasts a Grand Historical Sweep That Leaves Nothing Under the Rug
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”