Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTIFF·2 min readTIFF 2022 Review: “The Grab” Gets Resourceful in Capturing a Dramatic Shift in Global Food Supply Chains
ReviewsTIFF·2 min readTIFF 2022 Review: A Journalist’s Pursuit of the Truth Leads to Soul Searching in “While We Watched”
ReviewsTIFF·2 min readTIFF 2022 Review: A No Strings Attached Offer Unravels in the Illuminating “Free Money”
ReviewsTIFF·3 min readTIFF 2022 Review: Alice Diop’s “Saint Omer” Compassionately Reenvisions What’s Criminal
ReviewsTIFF·2 min readTIFF 2022 Review: “Aristotle and Dante Discover the Secrets of the Universe” Uncovers Hidden Emotions
ReviewsTIFF·2 min readTIFF 2022 Review: A Little Imagination Goes A Long Way in Maïmouna Doucouré’s “Hawa”
ReviewsTIFF·2 min readTIFF 2022 Review: A Son Rises in Kelly Fyffe Marshall’s Lovely “When Morning Comes”
ReviewsTIFF·2 min readTIFF 2022 Review: After Resettlement, a Struggle to Live with Purpose Commences in “Concrete Valley”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”