March 9, 2026 Carlos A. Gutierrez on 25 Years of Cinema Tropical and a Time of Validation for Latin American Film
March 8, 2026 True/False 2026 Review: Naveen Chaubal’s “Pinball” Yields an Unusually Moving Portrait of Resettlement
March 7, 2026 True/False 2026 Review: “The Great Experiment” Crisply Captures America at a Crisis Point
March 7, 2026 True/False 2026 Review: A Movement Requires Memory in Yael Bridge’s “Who Moves America”
March 9, 2026 Carlos A. Gutierrez on 25 Years of Cinema Tropical and a Time of Validation for Latin American Film
March 8, 2026 True/False 2026 Review: Naveen Chaubal’s “Pinball” Yields an Unusually Moving Portrait of Resettlement
March 7, 2026 True/False 2026 Review: “The Great Experiment” Crisply Captures America at a Crisis Point
March 7, 2026 True/False 2026 Review: A Movement Requires Memory in Yael Bridge’s “Who Moves America”
March 30, 2023 Raj Patel and Zak Piper on Planting Seeds of Inspiration in “The Ants and the Grasshopper”
September 3, 2022 Venice Film Fest 2022 Review: A Life of Inner Peace May Have Prevented a Nuclear War in “A Compassionate Spy”
June 15, 2020 AFI DOCS 2020 Review: A Wide Open Election Brings Focus to the Issues Facing Chicago – and America – in Steve James’ Masterful “City So Real”
August 24, 2018 Interview: Steve James on the Education of Going Back to High School with “America to Me”
October 6, 2016 NY Film Fest ’16 Review: Only with Steve James, An Incomprehensible Injustice Adds Up in “Abacus: Small Enough to Jail”
