DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
ReviewsSundance·4 min readSundance ’18 Review: Desiree Akhavan Goes Electric in the Brilliant Gay Conversion Drama “The Miseducation of Cameron Post”
Interviews·10 min readInterview: Kate Siegel & Mike Flanagan on Finding that Silence is Golden in “Hush”
Interviews·9 min readInterview: Doug Hamilton on Having an All-Access Pass to Green Day for “Broadway Idiot”
Interviews·9 min readMichael John Warren on the Spiritual Revival of “Spring Awakening: Those You’ve Known”
ReviewsSXSW·3 min readSXSW ’18 Review: A Cold War is Illuminated with Great Warmth in Megan Griffiths’ Captivating “Sadie”
InterviewsTramps·13 min readInterview: Producer Joshua Astrachan on Cooking Up Something Special with “Tramps”
ReviewsSXSW·2 min readSXSW ’14 Review: Zach Wigon Puts His Finger on the Pulse With “The Heart Machine”
Interviews·5 min readThe Man from Haiku: Destin Daniel Cretton on the Group Effort Behind “Short Term 12”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”